Wednesday, December 2, 2015

Gannaway_Kino Eye Response

I've actually read Kino Eye in my History of Photography class. Dziga is refering to the idea of cinematography as dishonesty simply because it takes away from the real magic that the art of cinema  represents on camera. He didn't like it and he wanted it for it to be gone. Dziga kind of starts a revolution where he wants film to move towards refinement into capturing what cannot be seen with the naked eye and he was also very interested in the moment of transforming film in terms of composition by getting rid of themes. I really enjoy this article and I thought that it was interesting that he tried to remove cinema from theater.

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